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{"id":1679,"date":"2015-04-01T16:38:14","date_gmt":"2015-04-01T16:38:14","guid":{"rendered":"http:\/\/urban-plains.com\/2016\/?p=1679"},"modified":"2016-03-26T16:05:28","modified_gmt":"2016-03-26T16:05:28","slug":"midwest-artists","status":"publish","type":"post","link":"https:\/\/urban-plains.com\/2016\/innovation\/midwest-artists\/","title":{"rendered":"Reimagining the Midwest"},"content":{"rendered":"

Words by Taylor Siedlik | Photography by Iggy Sumnik, Linda Stephen, Ben Schuh, Elsa Munoz, and Bill Frederick | April 1, 2015<\/p>\n

Small towns don\u2019t look quite so quaint when they\u2019re transformed into Linda Stephen’s vibrant origami displays. And big cities aren\u2019t so overwhelming when reduced to intimate street scenes in Elsa Munoz\u2019s oil paintings. While each artist\u2019s approach to representing the Midwest is different, there\u2019s one they both, and many other artists, have in common: reimagining.<\/p>\n

For painter Bill Frederick, this means painting from photographs but manipulating several elements to create a new mood. For sculptor Iggy Sumnik, it means setting aside the all-too-familiar Midwestern stereotypes that too often drive its image. And for painter Ben Schuh, it means juxtaposing country life with city life. For these five Midwestern artists, what they happen to see and portray isn\u2019t always what can be described as the \u201ctraditional Midwest.\u201d<\/p>\n

Iggy Sumnik, Omaha \u2014 Sculptor<\/i><\/h3>\n

It all comes down to touch. Iggy Sumnik<\/a> was drawn to the tangibility of ceramics. He liked the feel of it. And he liked how ceramics allowed him to step outside his comfort zone, forcing him to keep striving. But translating the vision in his head to the clay didn\u2019t necessarily match up. Eventually Sumnik found a way to translate his visual flair to his sculptures while living in Omaha. Here, Sumnik set himself apart from other artists through his one-of-a-kind reimagining of experiences like in his bright, cartoonish version of big Nebraska skies.<\/p>\n

\n
\"Iggy<\/a>

Iggy Sumnik\u2019s \u201cPelican on the Prairie\u201d sculpture gives Nebraska a more whimsical imagery.<\/p><\/div>

<\/figcaption><\/figure>\n

\u201cI have the desire to bring out visual patterning. Thinking about primitive culture and universal language, arrows, zig zags, and bright colors,\u201d Sumnik says. \u201cThings that would be intrinsically interesting just to look at, and you don\u2019t have to make sense of them.\u201d<\/p>\n

For Sumnik, his sculpture \u201cPelican on the Prairie\u201d embodies his change of heart with the Midwest. After seeing a pelican land on the plains of Nebraska, he rethought his preconceptions about the area. Before, the Michigan native thought pelicans were ocean birds, not Midwestern. \u201cSeeing this pelican landing turned into something that defines what the magic of Nebraska was for me,\u201d Sumnik says. \u201cIt\u2019s the unexpected elements here, and it\u2019s not necessarily as predictable and cut and clear as I once saw it.\u201d<\/p>\n\nhttp:\/\/urban-plains.com\/2016\/wp-content\/uploads\/2015\/04\/IggyBite.mp3<\/a><\/audio>\n\n

Ben Schuh, Des Moines \u2014 Painter<\/i><\/h3>\n

Ben Schuh<\/a> grew up surrounded by cattle. It\u2019s stereotypical, sure: Iowa boy grows up with cows in his backyard. And yes, he was in 4-H, and his mother did show cattle for years. But the kind of cows that show up in Schuh\u2019s paintings aren\u2019t your pasture grazers. His latest series, appropriately titled \u201cOn Location,\u201d shows cows meandering about in unexpected locations. On the White House lawn. Through the busy streets of Times Square. Out and about in Des Moines hotspots, like the Iowa Capitol\u2019s front steps.<\/p>\n

\n
\"Ben<\/a>

Ben Schuh\u2019s latest series, \u201cOn Location,\u201d juxtaposes cows in unexpected places, like
wandering across Times Square.<\/p><\/div>

<\/figcaption><\/figure>\n

It\u2019s this strange juxtaposition that Schuh has used to challenge perception. \u201cJust by doing that, it\u2019s challenging people to look at the painting for where it\u2019s at and try to separate some of the pieces,\u201d Schuh says. \u201cIt creates this conversation for patrons or viewers. It\u2019s just this constant evolution.\u201d<\/p>\n

City life in Des Moines shines through Schuh\u2019s paintings just as much as the country does. Des Moines cityscape references and local businesses, like Smokey Row Coffee, inspire Schuh to capture what their essence means to him. Being centrally located in Iowa allows him to connect his roots with other metropolitan areas around the Midwest. Even with locally focused themes, national audiences are taking notice. He shows his work around the country and found his local inspirations widely accepted. \u201cI think it might go back to a lot of people traveling outside of this area, buying pieces that remind them of home,\u201d Schuh says.<\/p>\n

Elsa Munoz, Chicago \u2014 Oil painter<\/i><\/h3>\n

To Elsa Munoz<\/a>, painting the Midwest never meant painting fields and farms. She\u2019d grown up in a working-class neighborhood in Chicago, and, she says, it wasn\u2019t a pretty sight. Which is ultimately what sent her down a more artistic path, spending her time indoors with a paintbrush in hand. Today, Munoz\u2019s style is traditional realism. The goal? Keeping it simple.<\/p>\n

\n
\"Elsa<\/a>

Elsa Munoz captures the destructive beauty of tornadoes across the Midwest in her painting \u201cTornado 17.\u201d<\/p><\/div>

<\/figcaption><\/figure>\n

\u201cThere\u2019s no irony in my paintings. There\u2019s nothing that is trying to be fashionable,\u201d Munoz says. \u201cI just paint what I know and what I think is important to communicate. That\u2019s it.\u201d<\/p>\n

That sincerity and honesty is obvious in Munoz\u2019s more traditional Midwest paintings. A spiral staircase that\u2019s immediately recognized by the community as \u201cquintessentially Chicago\u201d elaborately winds up in the painting. A young girl sits indoors while getting her hair done by an older female family member. And, though never found in her home city, a tornado series inspired by the television show Storm Chasers<\/i> shows the beauty in nature\u2019s destructiveness.<\/p>\n

\u201cThe Midwest just encompasses so many different types of landscapes and urbanscapes. Just growing up in a bad neighborhood is also part of the Midwest,\u201d Munoz says. \u201cIt\u2019s not all plains and cornfields and pretty stuff.\u201d<\/p>\nhttp:\/\/urban-plains.com\/2016\/wp-content\/uploads\/2015\/04\/ElsaBite.mp3<\/a><\/audio>\n\n

Bill Frederick, Chicago \u2014 Painter and photographer<\/i><\/h3>\n

For Bill Frederick<\/a>, painting from photographs is like reimagining daily experiences in dreams. Frederick\u2019s paintings are to his artistic flair as dreaming is to us, he says. He\u2019s concocting new moods and even storylines from one static image to the next, more vibrant one: his painting. \u201cWhen you fall asleep, one of the main things you do is take your waking experiences and you dream about it in a scrambled, unique way,\u201d he says. \u201cAnd that\u2019s basically what I\u2019m doing making pictures.\u201d<\/p>\n

\n
\"Bill<\/a>

Bill Frederick reimagines photographs he\u2019s snapped, like in his painting \u201cLightning, Port Austin.\u201d Here, what was once a sunny day has turned into a threatening storm overtaking a small-town gas station.<\/p><\/div>

<\/figcaption><\/figure>\n

Frederick pinpoints the western Great Lakes, Illinois, and Wisconsin as his home turf. It\u2019s there where he finds ways to put his own spin on everyday encounters. More often than not, Frederick doesn\u2019t copy the photograph of a landscape to a T. Rather, he\u2019s looking to make something that\u2019s more like a novel or short story.<\/p>\n

Example: One of his most recent pieces, \u201cLightning, Port Austin.\u201d The original photo he snapped at a gas station on a sunny day in Michigan was just a starting point. The painting tells a different story. Threatening storm clouds encompass the Shell Gas Station. Many cars in the original photo have been eliminated in the final painting, and the neighborhood has shifted to a more tranquil setting. Even the Shell sign itself has morphed into its older logo style. Frederick\u2019s reimagining depicts something entirely new, and one that invites viewers to see their own environments in a new light.<\/p>\n

\u201cWhen I\u2019m making a picture, I think more about the emotional feeling that the picture gives than anything else,\u201d Frederick says. \u201cI don\u2019t feel any particular connection to the facts on the ground. It seems unnecessary.\u201d<\/p>\n

Linda Stephen, Omaha \u2014 Origami artist<\/i><\/h3>\n

She didn\u2019t want to make humans out of paper at first because folding limbs and faces into origami is the hardest part of the artform. But eventually, to create an origami community, Linda Stephen<\/a> had to have the people. In her pieces, Stephens aims to remind native Midwesterners to take a step back and appreciate their surroundings. The bustle of a busy farmers\u2019 market. The lobby of a Grand Rapids, Michigan, hotel. A colorful marching band practicing in front of the Minden, Nebraska opera house.<\/p>\n

\n
\"Stephens\u2019<\/a>

Stephens\u2019 origami piece \u201cOur Band\u201d showcases a community coming together in Minden, Neb.<\/p><\/div>

<\/figcaption><\/figure>\n

\u201cThere was a huge restoration project that took place there, and people of all ages came out to help,\u201d Stephen says. \u201cThe community coming together, those kind of themes are what I like to celebrate.\u201d<\/p>\n

In Stephen’s scenes, handmade fabric papers with elaborate gold detailing in her origami give her static paintings a three-dimensional touch. Hidden treasures of the Midwest come out: a farmer tranquilly looking out toward a lush prairie, a sunny spring day at the park. All in folds of paper.<\/p>\nhttp:\/\/urban-plains.com\/2016\/wp-content\/uploads\/2015\/04\/LindaBite.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

To these artists, it\u2019s all about perception.<\/p>\n","protected":false},"author":1,"featured_media":3938,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"categories":[3],"tags":[12,23,86,180,204,205,206,233],"yoast_head":"\nReimagining the Midwest | Urban Plains<\/title>\n<meta name=\"description\" content=\"From sculptures to oil paintings, five artists reveal what the Midwest means to them through their pieces of work.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/urban-plains.com\/2016\/innovation\/midwest-artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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