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{"id":2680,"date":"2015-04-14T02:30:06","date_gmt":"2015-04-14T02:30:06","guid":{"rendered":"http:\/\/urban-plains.com\/2016\/?p=2680"},"modified":"2016-03-08T23:29:03","modified_gmt":"2016-03-08T23:29:03","slug":"big-ten","status":"publish","type":"post","link":"https:\/\/urban-plains.com\/2016\/culture\/big-ten\/","title":{"rendered":"Creating a Strong Female Voice in Theater"},"content":{"rendered":"

Words by Stephanie Kocer | Photography Provided by the University of Iowa Theatre Arts Department | April 13, 2015<\/p>\n

University of Iowa sophomore Taylor Stuart felt like she lost a friend when the theater department\u2019s production of Good Kids<\/i><\/a> ended in February. She played Chloe, a teenage girl who was raped at a party, and described her relationship with the character as a \u201cmetaphorical kinship.” The role itself, though, was hard, draining \u2014 but Stuart set that aside when she considered the play’s greater goal. \u201cKnowing that people’s voices might finally be heard through this play is what really kept me going,\u201d she says.<\/p>\n

That\u2019s been the goal not only for Good Kids<\/i>, but also for the initiative that made it possible: the Big Ten Theatre Consortium\u2019s New Play Initiative<\/a>. The initiative selects professional female playwrights to create plays with strong female leads and even stronger themes. According to The Broadway League<\/a>, 68 percent of theatergoers are women. In the 2012-2013 Broadway season, women directed only 14 percent and wrote only 10 percent of the shows. The university theater departments in the Big Ten Conference are aiming to change that.<\/p>\n

\"Good<\/a>

Good Kids focuses on the aftermath of an alleged rape at a high school party.<\/p><\/div>\n

The New Play Initiative started in 2010 with the idea of creating a performance piece that could be done at several, if not all, of the universities in the conference. \u201cWe thought that we could do something together that none of us could do individually,\u201d says Alan MacVey, chair of the Theatre Arts Department at the University of Iowa. \u201cMy idea at the time was to find a way to not only encourage the writing of plays by women, but also to encourage plays to have multiple women\u2019s roles in them \u2014 good roles for women.\u201d<\/p>\n

Male-heavy casts drive many productions. Take any of the big Broadway hits of the last decade: The Book of Mormon<\/i>, Rock of Ages<\/i>, Jersey Boys<\/i>. In the Big Ten plays, though, actresses won\u2019t merely be someone\u2019s wife, sister, or mistress. In fact, the initiative has guidelines to ensure female students play a leading lady: the Eliza Doolittle, the Maria von Trapp, the Roxie Hart. Each play must have at least six female roles.<\/p>\n

The first play commissioned was playwright Naomi Iizuka\u2019s<\/a> Good Kids<\/i>, which has now been performed at several Big Ten schools, including the University of Michigan, Indiana University, University of Wisconsin \u2013 Madison, and University of Iowa. Iizuka was on board the moment she got the call from MacVey. \u201cI thought it was extraordinary. And I said yes,\u201d Iizuka says.<\/p>\n

Iizuka started writing her play in 2012, shortly after a notorious rape case in Steubenville, Ohio<\/a>, made national news. Good Kids<\/i><\/a> takes place after a high school party where a teenage girl is raped by a group of football players, much like the events that happened in Steubenville. \u201cI wanted to write a play about not just sexual assault, but the attitudes and perceptions that create a climate around sexual assault,\u201d Iizuka says. \u201cSadly, even during the time that I was writing Good Kids<\/i>, a lot of other sexual assault cases came to the surface. There were cases all over the country.\u201d<\/p>\n

\n
\"The<\/a>

The Big Ten hopes plays like Good Kids will continue to ignite conversations on campus that are started by female playwrights and actresses.<\/p><\/div>

<\/figcaption><\/figure>\n

The play doesn\u2019t end with clear answers. Audiences have to make their own decision at curtain call about which character to believe. Stuart, the University of Iowa actress, says she noticed many conversations about sexual assault start on campus because of the play, and as an actress, she saw it as her responsibility to ignite them. \u201cI saw this role as my social duty as a woman, a feminist, and an advocate of social change and sexual assault combatants. I initially auditioned for the role for the issue,\u201d she says. \u201cI think that as artists, the most important and meaningful thing that we can do is use our art to reframe thinking and change people\u2019s perspectives on social issues through our craft.\u201d<\/p>\n

\"3\"<\/a><\/p>\n

The New Play Initiative has commissioned two more plays: Writer Kirsten Greenidge\u2019s play Baltimore<\/i>, about race on college campuses, takes the stage next. She\u2019s delivered her script to the theater departments, and MacVey says he expects it will make its debut as early as next year. The third playwright, Rebecca Gilman, is working on a script for the 2016-17 school year.<\/p>\n

\"4\"<\/a>Iizuka says she sees the initiative as a chance for university actresses to play more than the damsel in distress or the best friend, and use their skills to bring a voice to issues their peers shy away from. \u201cI think people who have a lot of experience going to the theater don\u2019t realize how potent of a tool theater can be,\u201d Iizuka says. \u201cNot in terms of hearing a story about an issue, but as a forum for conversation, as a sort of jumping-off point for political engagement and, potentially, social change,\u201d Iizuka says. \u201cI think changes in attitudes and perceptions happen one conversation at a time.\u201d<\/p>\n\n","protected":false},"excerpt":{"rendered":"

Female playwrights spark discussions on university campuses with The Big Ten Theatre Consortium\u2019s New Play Initiative.<\/p>\n","protected":false},"author":1,"featured_media":3907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"categories":[4],"tags":[79,80,214,215,272],"yoast_head":"\nCreating a Strong Female Voice in Theater | Urban Plains<\/title>\n<meta name=\"description\" content=\"Female playwrights, as part of the New Play Initiative, are writing stronger female roles. 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