Words by Gracie Piper<\/span><\/em><\/p>\n Most Midwesterners understand that dirt roads are like double-dog dares: You just can\u2019t say no. And there\u2019s no better way to take in the rolling hills, questionable bridges and endless possibilities than with songs that are equal parts dust and daydreams. So grab your auxiliary cord, roll down your car windows and hit play on this specially curated mix of shoutouts to the Midwest and its musical roots.<\/span><\/p>\n The Staple Singers delivered their gospel-like tunes with a heavy dose of soul that was cultivated in the Windy City. Their 1972 hit, \u201cI\u2019ll Take You There,\u201d will make you want to hit the road with your honey as Mavis Staples\u2019 smooth, chocolatey vocals float into the front seat through your speakers. <\/span><\/p>\n\n Blues rock duo Dan Auerbach and Patrick Carney reveal a hearty affection for their home state in this namesake single. Between leisurely symbolic-laden choruses that sound like a stoned Santa jingling his sleigh bells, Auerbach growls, \u201cIf you see me hunkered down in your town, I\u2019m just watchin\u2019 the clock on the wall \u2019til I can go to the place I love most of all\u2026\u201d Extra points if your favorite place happens to be on a gravel road.<\/span><\/p>\n\n Minneapolis-based hip-hop artist Lizzo\u2019s \u201cGood as Hell\u201d is an upbeat call for female empowerment. Her snappy rhythms are the perfect complement to your next girl\u2019s trip, so crack a window do a \u201chair toss\u201d and let Lizzo\u2019s high notes lift your spirits.<\/p>\n\n When the bubbly instrumentals in \u201cCome On! Feel the Illinoise!\u201d crescendo, you can practically see the end credits to a G-rated movie roll past your windshield. It\u2019s 10 gallons of optimism trumpeted through a French horn and <\/span>vibraphone. But <\/span>that feel-good melody is masked with lyrics paying sarcastic homage to Chicago\u2019s hosting of the 1893 World\u2019s Columbian Exposition. The result: beautifully fey.<\/span><\/p>\n\n The harmonica at the beginning of Bruce Springsteen\u2019s \u201cNebraska\u201d sounds like the Midwest version of funeral bagpipes: hollow and haunting<\/span>. <\/span><\/i>And for good reason. The title track to The Boss\u2019s 1982 folk masterpiece tells the story of a murderous rampage committed by two teenage lovers that began in the Cornhusker State. We bet you won\u2019t want to pull over while this classic is playing.<\/span><\/p>\n\n \u201cI\u2019ll Take You There\u201d \/\/ The Staple Singers<\/h6>\n
\u201cOhio\u201d \/\/ The Black Keys<\/h6>\n
\u201cGood as Hell\u201d \/\/ Lizzo<\/h6>\n
\u201cCome On! Feel the Illinoise!\u201d \/\/ Sufjan Stevens<\/h6>\n
\u201cNebraska\u201d \/\/ Bruce Springsteen<\/h6>\n
\u201cSweet Home Chicago\u201d \/\/ Robert Johnson<\/h6>\n